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Things Fall Apart
Boris Johnson’s resignation - a poem
Things Fall Apart
The vultures gather
Flying in from the sunrise
Early from the west wind also
Carrying the scent
Circling now
Ready
For the prey to come
Dressed in suits, tie pins
And buttoned shirts
Serious faces crowding the cameras
Taking in the collapse
In real time
A carcass thrown
From the dark door behind
Sunlight dancing for the final time
From the blond mop
And small eyes and a sad heart speak
Weary words
‘The King is dead!’
But will the corpse occupy
The chair?
A nation waits
Holding its black and red flowers
Dark suits ready
To pay its respects
And disrespects
A legacy of too many dying
Without a hand to hold
And behind those eyes and
That dark door
Lie all the liberation from twelve yellow stars
And the howling tears
Of blue and yellow Mariupol
Of a red wall collapsing
Presiding over things falling apart.
Love Wreck
My river, My wind, My fire
Phase 1 The Wrecker
My vessel is cracked and
My defences lie shattered
Inside it’s all splinters.
Invaded I can’t…flow
Debris is everywhere.
Hit by Love
I can no longer hide
No longer hide
Phase 2 The Squatter
But when the wrecker comes
With forgiveness and
Demolishing grace
Then, from the ashes,
New houses arise.
He moves in:
No external life-coach
He
Phase 3 The Landlord
Few know the secret
Secret life
Long hidden but now
Installed
One source, one river
One throne
My Fire, my Wind, my
All in all
Loose Change
Pig. The ceramic one that stares at me
Frozen in time
Is still fed, when food is found,
But his expression
Is little altered
A decade has passed
Since his last oil change
The rubber seal left undisturbed
Until this morning
And out it, they, pour
Metallic sounds
Like snapping branches
And small sounding cymbals
Announce the purging
Tanners, shillings, and half-crowns
Jostling, like children
For their place
Woe betide anyone who says to them
‘Loose change’
The Queen’s face will not be amused
There is a date that must not be spoken aloud
Valentine’s plus one, 1971
In a stroke, at midnight,
The pig became a museum
And its currency lost all purchasing power
Like all of us, sons of Adam,
Caught up in a Messiah on a cross
Brought into His death
Losing all our old purchasing power
And buried, out of sight
And now? The whole of creation
Stands on tip-toe
Waiting for the new currency
God’s loose change
Sons of God, to be revealed.
Psalm 23 for the Invisible Ones
I am a film star
But no-one know
I have forgotten my own name
I am a doctor healing
And no-one saw
The coldness creep over my heart
I am the pastor preaching
Yet I am the one
In deepest need
I am the navigator
And no-one knows…
…I can’t see my way home
I am the one sheep
Alone in the herd
Needing to hear your voice
Just one word
My name
And peace, the quiet waters by
Restore my addled mind
River running
Cool. Calm. Clear. Deep.
Melancholy – a prelude
Above ground we are all Mariupol
Tulips remaining in bud
Nervous to unfold vivid colours of Spring
Clinging to the past
In hope of what?
Above ground a million Covid masks
Squelched into the mud
Trailing from bins
Forgotten in jacket pockets:
Yesterday’s news
Today’s news, a jumble of images
A glossary of sadness:
Oligarchy, Donbas, Slava Ukraini,
Thermobaric bombs
An A-Z, or just unjust Z.
Below ground. How are you?
It’s in the winter that spring is planned
That invisible quiet hinterland
Of the human heart
Where the seeds of heaven fall
Where melancholy gives way
Where winter loosens its grip
Where…those that go out in tears
Bearing seeds for harvest
Will come home rejoicing.
1054 and all that…
Surely you mean 1066
Hastings and one-eyed Harold
The Conqueror and Norman arches?
One Sunday in October
Dawn quiet disturbed
And weary autumnal soil
Running blood red:
All over by tea.
Another Sunday
Twelve years before
Split East from West
Constantinople from Rome
Communion wafers suffering schism
No longer handed one to the other
You can still hear the painful cries:
The tearing of the map
No more so than in besieged Kiiv
Or battered Mariupol.
Turning our tears to
Higher ground
The wounds to heal,
Turning our tears
To Higher ground
Our wounds to heal
Revolution
Press Lord, press me under
Under, under your grace
Wrench me free
Free from regulations that fail to regulate
From striving that fails to check self and sin
‘We are born free, yet everywhere
We are in chains’
I’m not so sure Jean-Jacques
‘For freedom, Christ has set us free’
Paul, for this, my unending applause
The Pharisee chained no longer to law
Out of his depth in grace
Feet off the bottom grace
Nothing, no more, depending on him:
Swimming in unexpected love
‘Freely you have received
Freely, freely give’ you say
No charge, it’s all in the offering
Press Lord, press me under
Under, under your grace
Jonah’s 3rd Day
I remember the past
But cannot tame its power
When coins had names:
A tanner, half-crown, and a shilling
When ten-bob notes were brown
Coal was black and coke was grey
An age of miracle and wonder
Rolling Rs, blowing gum bubbles
As big as your head,
Waggling ears and wood-pigeon coos,
And smiling girls perfecting handstands
With long straight hair
Early mornings full of swirling fog
The sound of cars sawing
Choke in and choke out
Of ice inside the windows and
Fighting for the three-bar-fire
Winter school in shorts
And family secrets
Dying with the pipe-smoke in the lounge
My hero demoted to decay
The strong so weak
Wretched mourning over the empty chair
And the failure of truth to hide
Making my way detached
From anyone who could know
The questions no-one had words to answer.
No-one I knew anyway
Until I, in the pub,
Spilt my beer – and my words:
‘Christ!’
And she said:
‘Why did you say that?’
That was the prodigal son
Coming to his senses
That was Jonah’s third day
The light guiding me home
O! I remember the past
But cannot tame its power
‘Christ!’ I say now
Kneeling with tears of joy
Steadfast
A poem for Ukraine inspired after walking past Antony Gormley’s one hundred iron statues on Crosby beach, unmoved, facing the wild waves and gale-force wind off the Irish Sea.
A poem for Ukraine inspired after walking past Antony Gormley’s one hundred iron statues on Crosby beach, unmoved, facing the wild waves and gale-force wind off the Irish Sea.
***
Who ignited this fire you must not see
Behind my sad stern eyes?
Impassive and unflinching I stand
Tight with resolve:
I shall not be moved
Pack me in your ice floes
From the east and from the north
And I will melt you
I may look cold as steel or as a statue of stone
Yet, you will find, I am too hot to touch
A day is coming when I will bend once more
When I will shed a tear
When I will again export wheat and rum and light
When my flames will brighten the night sky
And I will walk in Another Place
Keeping it simple
Keeping it simple. A poem by John Stevens.
Jesus went out of the house and sat by the sea
No publicity
Just sat on a beach
I like that
Mary left the kitchen, put down her knives
And sat at his feet
No fuss, no words
I like that
I need that
To keep it simple
Psalm 30
Eyes closing, I drift in time and watch my
Father counting rusty nails one by one
And dear Mother the gallons of water
Clear and cool in the hand-hewn cistern
But this morning I look down
And count my ribs in unceasing pain
I heave in air from the midday heavens
And remember the scripted and dark night:
Messiah bird caught in a fowlers net.
I, brought down to tears in a garden
And rough, soldier hands, wear a
Crown of thorns for the world to see
My friend, Iscariot, Judas, I see
His eyes in every skull gazing at me
Abandoned by God and man, darkness comes
To hold me between Heaven and Earth
To pour out the nothingness
I have, my blood and final breaths
The seed, I said, must fall into the ground
And now I am falling, falling so deep
Absent from Heaven I descend into Hell
I am weakness now, spent, beyond life
But it’s my aloneness that’s died.
In the cool of the dawn, the stone rolls…
…away! I breathe the stale tomb air in thanks
The angels and I sing songs and we dance
Then stop: the scent of spices makes us hide.
Like children disguised, we dig the rich earth
Leaking joy. Knowing the women can
Only hold a little, I say, ‘Mary!’